Vincent van Gogh Paintings – Hand-Painted Oil Reproductions
Artist Details
Birth name: Vincent Willem van Gogh
Known as: Vincent van Gogh
Nationality: Dutch
Born: 1853, Netherlands
Died: 1890, France
Style: Post-Impressionism
Today he is considered one of the most influential painters of all time, yet during his lifetime he managed to sell only a single painting.
Van Gogh’s paintings are among the most recognisable in the world, and here you’ll find them reproduced in oil, hand-painted one by one. No prints: every canvas is born from the work of an artist who recreates its colours, its brushstrokes and that power which makes the originals unmistakable.
We paint using the classic techniques of oil painting, on canvas or on panel. These are fine-art copies designed for those who love art and want to hang a real artwork at home or in the office, rather than yet another industrial reproduction. Below you’ll find all the available Van Gogh works, with customisable sizes and supports.
Oil reproductions of Van Gogh’s paintings
Every reproduction is entirely hand-painted, staying faithful to the composition and colours of the original. It’s the oil that makes the difference: it restores the depth of the tones, the strength of the line and that living brushstroke which is Van Gogh’s hallmark. A print is always identical to itself; a hand-painted copy is not: it’s a unique piece, and it shows.
Van Gogh’s most famous paintings in reproduction
Here you’ll find the most celebrated Van Gogh works: the landscapes, the still lifes, the portraits everyone recognises. They are the most requested subjects, perfect for the home as well as for a studio or an exhibition space. Each painting can be made in the original dimensions or custom-sized for your space, always respecting the proportions of the work.
Fine-art copies hand-painted on canvas or panel
Fine-art copies of Van Gogh’s paintings can be made on canvas, for a more traditional and versatile result, or on panel, for a more stable surface and superior definition. The choice of support changes the final result: we’ll recommend the right one based on your setting and the painting you choose.
Why choose a hand-painted reproduction
A hand-painted oil reproduction is not a mere copy: it’s a work created with artisanal care, restoring all the aesthetic value of the original while reinterpreting the artist’s language. It’s the right choice for those seeking true quality that lasts over time.
The life and works of Vincent van Gogh
Van Gogh is one of the most beloved artists of all time. His paintings continue to fascinate enthusiasts and collectors all over the world for their emotional power, their bold use of colour and their ability to transform personal experience into universal art.
Born on 30 March 1853 in Groot-Zundert, in the Netherlands, he led an intense life often marked by loneliness. Painting was his way of speaking to the world: through colour he gave voice to deep emotions, anxieties and a constant need for harmony with nature and with others.
The early years and the Dutch period
Before definitively choosing art, Van Gogh tried several paths and lived between the Netherlands, Belgium, England and France. His early paintings, from the Dutch period, have dark tones and depict the life of peasants and labour: already here his attention to the dignity of ordinary people emerges, a theme that would never leave him.
The French period and artistic maturity
The turning point came in France, in Arles. Here Van Gogh discovered Impressionism and found his style: bright colours, energetic brushstrokes, a painting that bursts with emotion. Many of his masterpieces date from these years, the works that would give rise to Post-Impressionism.
The works and the artistic legacy
In his final years he painted some of his most famous works, such as Starry Night Over the Rhône, Wheatfield with Cypresses and Vase with Fifteen Sunflowers: works in which colour, movement and emotion blend like in no other.
Van Gogh died in 1890 in Auvers-sur-Oise, at just 37 years old. In life he did not receive the recognition he deserved, but today his legacy is immense: his paintings remain among the highest peaks of modern art and continue to deeply influence the way we look at images.
their emotional and symbolic power intact.
Van Gogh’s Works and His Influence
Van Gogh’s paintings are among the most important examples of Post-Impressionism, and his style paved the way for movements such as Abstractionism, Fauvism and Expressionism.
His stippled brushstrokes and wavy lines continue to win over experts and enthusiasts alike. Van Gogh did not merely master a technique that was new for the time: he created a language all his own, where Impressionist elements, almost surreal contrasts and forms of great expressive power come together.
Frequently Asked Questions about Van Gogh Paintings
Yes, every painting is entirely hand-painted by one of our artists, using the traditional oil technique. We don’t use prints or industrial processes: what you receive is a real painting.
You can choose between canvas and panel. Canvas offers a more traditional and versatile result, while panel provides a more stable surface and superior definition. We’ll recommend the most suitable support based on the painting and the setting.
Of course. Every work can be made in the original dimensions or custom-sized for your space, always keeping the correct proportions of the painting.
For paintings in ready stock, the lead time is around 48 hours. For copies made to order, it takes on average 30 working days, which may vary depending on the complexity of the painting and the size: oil painting needs its own technical drying times to guarantee a quality result.
A print is a mechanical reproduction, always identical and flat. A hand-painted oil reproduction, on the other hand, is a unique work: it has thickness, texture and real brushstrokes, just like Van Gogh’s original.
Van Gogh’s Most Famous Works Available as Reproductions
Here you’ll find some of Van Gogh’s most celebrated paintings, hand-reproduced: iconic works, loved all over the world for their unmistakable style and the power with which they can still move us today.
The Starry Night by Vincent van Gogh
Original title: La Nuit étoilée
Title (English): The Starry Night
Artist: Vincent van Gogh
Style: Post-Impressionism
Genre: Landscape painting
Technique: Oil on canvas
Subject: Saint-Rémy-de-Provence
Original dimensions: 73.7 × 92.1 cm
Date of creation: June 1889
Location: Museum of Modern Art – View original work
The Starry Night is Van Gogh’s most recognisable painting and one of the absolute masterpieces of Post-Impressionism. He painted it in 1889, during his stay at Saint-Rémy-de-Provence, looking at the night sky from the window of his room.
What dominates everything is the sky itself: swirls of light, pulsing stars and an intense moon, rendered with dense, rhythmic spiral brushstrokes. The deep blues set against the bright yellows create a suspended, almost dreamlike atmosphere. Below, a small village and a large dark cypress act as a quiet counterweight to the turmoil of the sky.
More than a beautiful painting, The Starry Night is the portrait of a state of mind: it speaks of restlessness, hope and a longing for the infinite. This is why it remains one of the most powerful images in modern art, able to speak to anyone who looks at it.
Café Terrace at Night by Vincent van Gogh
Original title: Terrasse du café le soir Title (English): Café Terrace at Night Artist: Vincent van Gogh Style: Post-Impressionism Subject: Illuminated night café Genre: Urban landscape painting Technique: Oil on canvas Original dimensions: 80.7 × 65.3 cm Date of creation: September 1888 Location: Kröller-Müller Museum – View original work
Café Terrace at Night is one of Van Gogh’s best-loved paintings, created in Arles in 1888, in one of the most creative periods of his life. It depicts an outdoor café wrapped in a warm, golden light, which contrasts with the deep blue of the night sky and the street.
Here colour is pure emotion: the luminous yellow of the lamps creates a welcoming, almost intimate atmosphere, while the dynamic brushstrokes give movement to the scene. The pers
The Night Café by Vincent van Gogh
Original title: Le café de nuit
Title (English): The Night Café
Artist: Vincent van Gogh
Style: Post-Impressionism
Genre: Landscape painting
Technique: Oil on canvas
Subject: A disreputable night-time venue
Original dimensions: 72.4 × 92.1 cm
Date of creation: September 1888
Location: Yale University Art Gallery – View original work
The Night Café is one of Van Gogh’s most intense and unsettling paintings, created in Arles in 1888. It depicts the interior of a popular night-time venue, which the artist himself described as a place capable of “driving people mad”: a powerful image of loneliness and alienation.
The colours say it all: bright reds, acid greens and unnatural yellows build an atmosphere charged with tension. The artificial light, harsh and oppressive, clashes with the deep shadows and amplifies the sense of unease. The forced perspective lines and vibrant brushstrokes make the space deliberately disturbing, far from any idea of rest.
More than an everyday scene, it’s a psychological portrait of the human soul. Here Van Gogh uses colour not to describe reality, but to express emotions, anticipating the Expressionism of the twentieth century. A reproduction of The Night Café is perfect for those seeking an intense and profound work, the kind that speaks of the inner life of human beings.
Wheatfield with Cypresses by Vincent van Gogh
Original title: Champ de blé avec cyprès
Title (English): Wheatfield with Cypresses
Artist: Vincent van Gogh
Style: Post-Impressionism
Subject: Landscape with cypresses
Genre: Landscape painting
Technique: Oil on canvas
Original dimensions: 72.1 × 90.9 cm
Date of creation: 1889
Location: National Gallery, London
Wheatfield with Cypresses is one of Van Gogh’s most celebrated landscapes, painted in 1889 in Saint-Rémy-de-Provence. It depicts a golden wheat field stirred by the wind, dominated by monumental cypresses that rise towards the sky with an almost sculptural power. Everything seems to be in motion: the wheat sways, the clouds race, the cypresses vibrate, in a continuous dialogue between earth and sky.
Colour, movement and emotion
The swirling brushstrokes are the hallmark of the work. Van Gogh dares with contrasts, setting the yellow of the wheat against the dark green of the cypresses and the intense blue of the sky. It’s not descriptive colour, but emotional. The cypresses, which for him were symbols of eternity and spirituality, become here a living and powerful presence, charged with tension and introspection.
Meaning and artistic value
For Van Gogh a landscape was never just a landscape, but the mirror of his inner state: every natural element takes part in his emotional narrative. Today Wheatfield with Cypresses is considered one of the absolute masterpieces of his painting. A perfect reproduction for those who want to bring home energy, harmony and all the timeless power of his genius.
Sunflowers by Vincent van Gogh
Original title: Tournesols
Title (English): Sunflowers
Artist: Vincent van Gogh
Style: Post-Impressionism
Subject: Sunflowers
Genre: Floral painting
Technique: Oil on canvas
Original dimensions: 92.1 × 73 cm
Date of creation: 1888
Location: National Gallery, London
Sunflowers is one of the most iconic paintings in the history of art and one of the greatest symbols of Post-Impressionism. Van Gogh takes a simple subject and transforms it into an explosion of colour and emotion: decisive, textured brushstrokes, a palette of intense yellows and vibrant oranges. The flowers seem to come alive on the canvas and take over the entire scene.
Colour, emotion and symbolism
For Van Gogh, sunflowers were not simple flowers: they were symbols of light, hope and rebirth. Yellow, used in a thousand shades, conveys enthusiasm, warmth and emotional tension, the artist’s state of mind during his time in Arles. The plain background, with nothing superfluous, concentrates all the attention on the flowers, making the work direct and intense.
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Starry Night Over the Rhône by Vincent van Gogh
Original title: Nuit étoilée sur le Rhône
Title (English): Starry Night Over the Rhône
Artist: Vincent van Gogh
Style: Post-Impressionism
Subject: Night landscape
Genre: Landscape painting
Technique: Oil on canvas
Original dimensions: 73 × 92 cm
Date of creation: 1888
Location: Musée d’Orsay, Paris
Starry Night Over the Rhône is a masterpiece from 1888, one of the most poetic night landscapes in all of his output. Van Gogh captures the magic of the starry sky reflected on the calm waters of the river Rhône, in a deeply evocative scene. The vibrant brushstrokes b
Irises by Vincent van Gogh
Original title: Iris
Artist: Vincent van Gogh
Style: Post-Impressionism
Genre: Landscape painting
Technique: Oil on canvas
Original dimensions: 74.3 × 94.3 cm
Date of creation: 1889
Location: J. Paul Getty Museum, Los Angeles
Irises is one of the masterpieces created by Van Gogh in 1889, during his stay at the hospital in Saint-Rémy-de-Provence. It depicts a field of irises in bloom, transformed into an intense and vibrant composition, full of energy. The deep blues of the flowers contrast with the bright green of the leaves and the warm yellow background, in a chromatic balance of great impact. The fluid brushstrokes make nature alive and pulsing.
Colour, style and meaning
Here colour is the true means of expression. The irises are not painted in a realistic way, but become pure emotion, able to convey serenity and vital force at the same time. The influence of Japanese art is clear, in the flat composition and the rhythm of the forms, while the choice of colours speaks of Van Gogh’s need to find balance and order through painting.
Artistic and decorative value
An icon of Post-Impressionism, Irises is greatly loved for its elegance and chromatic intensity. A reproduction is perfect for those who appreciate floral art and expressive painting: it brings harmony, light and refinement into the home, one of the most poetic moments in all of Van Gogh’s output.
Vincent’s Bedroom in Arles by Vincent van Gogh
Original title: La Chambre à coucher Title (English): Vincent’s Bedroom in Arles Artist: Vincent van Gogh Style: Post-Impressionism Subject: Domestic interior Technique: Oil on canvas Original dimensions: 72.4 × 91.3 cm Date of creation: 1888 Location: Van Gogh Museum, Amsterdam – View original work
Vincent’s Bedroom in Arles is one of Van Gogh’s most intimate paintings, created in 1888 in the Yellow House in Arles. It depicts his bedroom, but it’s much more than an interior: it’s a true emotional self-portrait, told through colour and form.
The intense, contrasting colours are striking, the blue of the walls and the bright yellow of the furniture, applied with decisive, simplified brushstrokes. The deliberately distorted perspective and the irregular lines are not mistakes: they are expressive choices that convey Van Gogh’s state of mind and his need for stability.
With this essential scene, the artist was seeking rest, silence and order, right in the middle of a period of great instability. Every object – the bed, the chairs, the paintings on the walls – is charged with meaning. Today it’s one of Van Gogh
The Harvest by Vincent van Gogh
Original title: La moisson
Title (English): The Harvest
Artist: Vincent van Gogh
Style: Post-Impressionism
Genre: Landscape painting
Technique: Oil on canvas
Original dimensions: 73.4 × 91.8 cm
Date of creation: 1888
Location: Van Gogh Museum – View original work
The Harvest is a painting from 1888, created in Arles, and depicts one of the brightest and most serene moments in all of Van Gogh’s output. It portrays the Provençal countryside in the height of summer, with golden wheat fields under the intense light of the sun.
With energetic brushstrokes and warm colours, between yellows and ochres, Van Gogh celebrates work in the fields and the deep bond between man and the land. The peasants at work become a symbol of toil, dignity and the continuity of life, themes the artist cared deeply about.
The dynamic composition and the bright blue sky convey serenity and harmony, making The Harvest one of Van Gogh’s most optimistic works. A perfect example of his mature technique, where colour, movement and feeling blend into an intense, life-filled vision of the landscape and of human labour.
The Church at Auvers by Vincent van Gogh
Original title: L’Église d’Auvers-sur-Oise
Title (English): The Church at Auvers
Artist: Vincent van Gogh
Style: Post-Impressionism
Subject: The church in the village of Auvers-sur-Oise, France
Genre: Religious painting
Technique: Oil on canvas
Original dimensions: 93 × 74.5 cm
Date of creation: 1890
Location: Musée d’Orsay – View original work
The Church at Auvers is one of Van Gogh’s last and most intense masterpieces, painted in 1890 in Auvers-sur-Oise, a few months before his death. It depicts the village’s Gothic church set in a silent landscape charged with tension: a powerful synthesis of spirituality and inner unease.
With vibrant brushstrokes and saturated colours, Van Gogh transforms the sacred architecture into a living, pulsing presence. The wavy lines, the chromatic contrasts and the absence of a rigid perspective give the scene a sense of instability, the same that the artist felt within himself. The church, although a symbol of faith and tradition, appears isolated, almost suspended.
One of the most fascinating aspects is the fusion between nature and architecture: the intense green of the meadow and the deep sky envelop the building, making it part of the landscape. It’s an emblematic work of Post-Impressionism, made of emotion, mystery and introspection, and today a point of reference for understanding the depth and innovative power of Van Gogh’s painting.
L’Arlésienne by Vincent van Gogh
Original title: L’Arlésienne: Madame Joseph-Michel Ginoux Title (English): L’Arlésienne Artist: Vincent van Gogh Style: Post-Impressionism Genre: Portrait Technique: Oil on canvas Original dimensions: 91.4 × 73.7 cm Date of creation: 1888–1889 Location: Metropolitan Museum of Art – View original work
L’Arlésienne is one of Van Gogh’s most refined portraits, painted between 1888 and 1889 in Arles. It depicts Madame Joseph-Michel Ginoux, owner of the Café de la Gare, an emblematic figure of Provençal life and a subject that greatly fascinated the artist.
The apparent simplicity of the pose is striking, behind which a deep introspection is hidden. The woman’s serene face, framed by warm colours, contrasts with the decorative and dynamic background, in a balance that conveys all of Van Gogh’s sensitivity. The decisive, vibrant brushstrokes give the portrait a strong presence, making the subject alive and immediately recognisable.
With L’Arlésienne, Van Gogh goes beyond mere physical likeness to portray the identity, dignity and character of a woman. The painting becomes a tribute to the culture of Arles and to everyday life in Provence. Today it’s considered one of the most important depictions of women in Post-Impressionism: elegance, emotional depth and modernity in a timeless masterpiece.
A Pair of Shoes by Vincent van Gogh
Title (English): A Pair of Shoes Artist: Vincent van Gogh Style: Post-Impressionism Technique: Oil on canvas Original dimensions: 37.5 × 45.5 cm Date of creation: 1886–1888 Location: Van Gogh Museum – View original work
A Pair of Shoes is one of Van Gogh’s most intense and symbolic paintings, created between 1886 and 1888 during his stay in Paris. The subject seems trivial – an old pair of worn shoes – but it’s charged with deep and universal meanings.
With thick brushstrokes and earthy colours, Van Gogh transforms an everyday object into a reflection on the human condition, on labour, on toil and on existence. Those worn shoes seem to tell of an entire life, made of walking, sacrifice and loneliness: almost a silent portrait of the artist himself.
The painting has inspired numerous philosophical interpretations and has become an icon of art’s power to give emotional value to the most ordinary objects. It shows how Van Gogh was able to go beyond appearances, using painting to explore universal themes such as identity and the dignity of labour. Today it’s one of the finest examples of his Parisian phase and embodies his poetics: turning simplicity into depth, the everyday into timeless art.
The Siesta by Vincent van Gogh
Original title: La méridienne ou la sieste
Title (English): The Siesta
Artist: Vincent van Gogh
Style: Post-Impressionism
Technique: Oil on canvas
Original dimensions: 73 × 91 cm
Date of creation: 1888–1889
Location: Musée d’Orsay, Paris – View original work
The Siesta is an intense painting, created between 1888 and 1889, that captures a moment of pause and silence in peasant life. It depicts two figures lying down after work in the fields, and conveys a deep sense of fatigue, calm and humanity: themes Van Gogh cared deeply about.
With vibrant brushstrokes, warm colours and a simple yet powerful composition, the artist transforms an everyday scene into a universal reflection on labour, rest and the cycle of life. The serenity is only apparent: behind it one can sense the harshness of rural existence and all of Van Gogh’s compassion towards those who work the land.
It’s one of the most moving works of his Provençal period and perfectly shows his ability to combine emotion, reality and spirituality, making extraordinary what seems simple.
Almond Blossom by Vincent van Gogh
Original title: Amandier en fleurs
Title (English): Almond Blossom
Artist: Vincent van Gogh
Style: Post-Impressionism
Genre: Floral painting
Technique: Oil on canvas
Original dimensions: 73.5 × 92 cm
Date of creation: 1890
Location: Van Gogh Museum – View original work
Almond Blossom is one of Van Gogh’s most luminous and symbolic paintings, created in 1890 as a gift for the birth of his nephew. It depicts a branch of almond tree in full bloom against an intense blue sky, and is universally read as a symbol of hope, rebirth and new life.
The delicate white flowers, painted with decisive yet harmonious brushstrokes, show the influence of the Japanese art that Van Gogh loved so much. The simple composition and the strong contrast of colours convey serenity, balance and purity, setting this work apart from his more tormented compositions.
It’s a painting that holds a s
The Yellow House by Vincent van Gogh
Original title: Het Gele Huis (The Yellow House)
Title (English): The Yellow House
Artist: Vincent van Gogh
Style: Post-Impressionism
Technique: Oil on canvas
Original dimensions: 76 × 94 cm
Date of creation: 1888
Location: Van Gogh Museum, Amsterdam – View original work
The Yellow House is one of Van Gogh’s most emblematic paintings, created in 1888 in Arles. It depicts the building that housed the famous Yellow House, the place where the artist dreamed of founding a community of painters, based on collaboration and sharing.
With a palette of intense yellows and deep blues, Van Gogh conveys energy, warmth and vitality. The sharp lines and bright colours tell not only of a physical place, but also of his state of mind, full of hope and ambition. The Mediterranean light of Arles becomes the protagonist, transforming a simple piece of urban architecture into a symbol of artistic renewal.
It’s a fundamental stage in Van Gogh’s career, because it embodies his ideal of art as a space of encounter, dream and freedom. An iconic work of Post-Impressionism, perfect for those who want to decorate with a painting that combines art history, colour and personal vision, with all the emotional intensity of the Dutch genius.
The Sea at Les Saintes-Maries by Vincent van Gogh
Original title: Seascape near Les Saintes-Maries-de-la-Mer
Title (English): The Sea at Les Saintes-Maries
Artist: Vincent van Gogh
Style: Post-Impressionism
Genre: Marine painting
Technique: Oil on canvas
Original dimensions: 50.5 × 64.3 cm
Date of creation: 1888
Location: Van Gogh Museum – View original work
The Sea at Les Saintes-Maries is a painting from 1888, created during Van Gogh’s stay in the coastal village of Les Saintes-Maries-de-la-Mer, in the south of France. The work captures the primordial power of the Mediterranean, transforming the seascape into an explosion of movement, light and energy.
With thick, dynamic brushstrokes, Van Gogh paints the waves breaking vigorously, mixing the deep blue of the water with the foaming white of the spray. The small sailing boats, driven by the wind, give rhythm and depth to the scene, with that sense of vitality and instability typical of the open sea.
It’s a work that fully reflects Van Gogh’s mature style, where colour becomes emotion and the landscape becomes the mirror of his state of mind. Perfect for those who love intense, vibrant art and want to bring home all the evocative power of the sea, seen through the eyes of one of the greatest geniuses in the history of art.
Olive Trees with Yellow Sky and Sun by Vincent van Gogh
Original title: Olive Trees with Yellow Sky and Sun
Title (Italian): Ulivi con cielo giallo e sole
Artist: Vincent van Gogh
Style: Post-Impressionism
Technique: Oil on canvas
Original dimensions: 73.6 × 92.7 cm
Date of creation: 1889
Location: Minneapolis Institute of Art
Olive Trees with Yellow Sky and Sun is one of the most intense paintings created by Van Gogh in 1889, during his stay in Saint-Rémy-de-Provence. It depicts a typically Provençal landscape, where the olive trees seem to come alive under a golden sky, charged with light and energy.
With vigorous, wavy brushstrokes, Van Gogh conveys the ceaseless movement of nature: the twisted trunks and the crowns of the olive trees vibrate under the sun, while the yellow sky amplifies the sensation of warmth. The contrast between the deep green of the trees and the luminous tones of the sky speaks of his emotional vision of the landscape, far from a realistic depiction.
The work expresses Van Gogh’s deep bond with nature and his search for inner balance. It’s not just a landscape, but the symbolic representation of the life force of the earth, rendered with colour, rhythm and intensity. An ideal choice for those who want a reproduction able to convey energy, light and emotional depth.
View of Arles with Irises by Vincent van Gogh
Original title: Veld met irissen bij Arles
Title (English): View of Arles with Irises
Artist: Vincent van Gogh
Style: Post-Impressionism
Technique: Oil on canvas
Original dimensions: 54 × 65 cm
Date of creation: 1888
Location: Van Gogh Museum – View original work
View of Arles with Irises is a painting from 1888, created during his stay in Arles, a fundamental period for the maturing of Van Gogh’s Post-Impressionist style. It depicts the Provençal countryside in spring, animated by a field of irises in blue and purple tones that stand out against the bright green of the landscape.
With energetic brushstrokes and intense colours, Van Gogh builds a luminous and dynamic scene, where the chromatic contrast becomes pure emotion. The bright, golden sky amplifies the natural light, while the flowers in the foreground draw the eye into the composition.
The work speaks of the artist’s deep bond with nature and his ability to transform a simple rural view into an image full of vitality and poetry. It communicates balance, peace and movement: perfect for those seeking a reproduction able to convey positive energy and timeless beauty.
<p><strong>Original title:</strong> Pêcher en fleur<br>
<strong>Title (English):</strong> Peach Tree in Blossom<br>
<strong>Artist:</strong> Vincent van Gogh<br>
<strong>Style:</strong> Post-Impressionism<br>
<strong>Technique:</strong> Oil on canvas<br>
<strong>Original dimensions:</strong> 80.9 × 60.2 cm<br>
<strong>Date of creation:</strong> 1888<br>
<strong>Location:</strong> Rijksmuseum</p>
<p>Peach Tree in Blossom is a masterpiece from 1888, painted by Van Gogh during his stay in Arles. The work captures all the beauty of spring with a peach tree in full bloom, set in a bright and vibrant landscape. The lively colours – the pink of the flowers, the blue of the sky – speak of a sense of rebirth and hope.</p>
<p>With dynamic brushstrokes and clear influences of Japanese art, Van Gogh conveys energy and serenity in this natural scene. A perfect example of his expressive style, the painting is an ode to life and nature, admired today in the most important museums in the world.</p>
<p><strong>Title:</strong> Les Vessenots in Auvers<br>
<strong>Artist:</strong> Vincent van Gogh<br>
<strong>Style:</strong> Post-Impressionism<br>
<strong>Genre:</strong> Landscape painting<br>
<strong>Technique:</strong> Oil on canvas<br>
<strong>Original dimensions:</strong> 55 × 65 cm<br>
<strong>Date of creation:</strong> 1890<br>
<strong>Location:</strong> Museo Thyssen-Bornemisza – <a href=”https://www.museothyssen.org/en/collection/artists/gogh-vincent-van/vessenots-auvers” target=”_blank” rel=”noopener”>View original work</a></p>
<p>Les Vessenots in Auvers is a vibrant and evocative painting, created by Van Gogh in 1890 during his stay in Auvers-sur-Oise. The work portrays the French countryside with dynamic brushstrokes and intense colours, typical of his Post-Impressionist style. The restless sky, the green fields and the rural houses create a moving atmosphere, which speaks of Van Gogh’s deep bond with nature and his troubled soul.</p>
<p>It’s an extraordinary example of the artist’s pictorial mastery in the last months of his life. Les Vessenots in Auvers captures the simple beauty of the French countryside with a unique expressive power: a perfect masterpiece for those seeking an intense reproduction rich in meaning.</p>
<p><strong>Original title:</strong> La salle de danse à Arles<br>
<strong>Title (English):</strong> The Dance Hall in Arles<br>
<strong>Artist:</strong> Vincent van Gogh<br>
<strong>Style:</strong> Post-Impressionism<br>
<strong>Technique:</strong> Oil on canvas<br>
<strong>Original dimensions:</strong> 65 × 85.5 cm<br>
<strong>Date of creation:</strong> 1888<br>
<strong>Location:</strong> Musée d’Orsay – <a href=”https://www.musee-orsay.fr/it/opere/la-salle-de-danse-arles-759″ target=”_blank” rel=”noopener”>View original work</a></p>
<p>The Dance Hall in Arles is a painting from 1888, created during one of the most fertile and experimental periods of Van Gogh’s career. It depicts the interior of a popular dance hall, animated by figures in motion and by an atmosphere charged with energy.</p>
<p>With a bold use of colour and rapid, dynamic brushstrokes, Van Gogh captures the rhythm of the nightlife of the time, transforming an everyday scene into an intense and engaging composition. The warm light, the chromatic contrasts and the simplified forms create a sensation of continuous, almost musical movement.</p>
<p>The painting speaks of Van Gogh’s interest in social life and popular gathering places, recurring themes in his output in Arles. A work that conveys emotion, dynamism and atmosphere, ideal for those seeking a reproduction that expresses the most vibrant and human side of Post-Impressionist art.</p>
Wheatfield with Crows by Vincent van Gogh
Title: Wheatfield with Crows
Artist: Vincent van Gogh
Style: Post-Impressionism
Subject: Landscape
Technique: Oil on canvas
Original dimensions: 50.5 × 103 cm
Date of creation: July 1890
Location: Van Gogh Museum – View original work
Wheatfield with Crows is one of the most intense and meaning-laden paintings in all of Van Gogh’s output. Created in July 1890 in Auvers-sur-Oise, shortly before his death, it depicts a vast wheat field crossed by interrupted paths, topped by a dark, restless sky and streaked by a flight of black crows.
The brushstrokes are rapid, nervous, directional, while the strong contrasts between the yellow of the wheat and the dark blue of the sky amplify the tension of the scene. The landscape becomes the vehicle of the artist’s state of mind, conveying restlessness, loneliness and drama.
Often read as a metaphor for Van Gogh’s inner struggle, it’s considered one of the symbolic masterpieces of Post-Impressionism. A work of extraordinary visual and emotional power, ideal for those seeking a reproduction able to communicate psychological depth, intensity and the most authentic side of Van Gogh’s genius.
The Red Vineyard by Vincent van Gogh
Original title: Le vignoble rouge
Title (English): The Red Vineyard
Artist: Vincent van Gogh
Style: Post-Impressionism
Technique: Oil on canvas
Original dimensions: 75 × 93 cm
Date of creation: 1888
Location: Pushkin Museum – View original work
The Red Vineyard is one of Van Gogh’s most famous and symbolic paintings, known above all for being the only work the artist managed to sell during his lifetime. Created in 1888 in Arles, it depicts a vineyard at sunset, animated by workers busy with the grape harvest and immersed in a warm, enveloping light.
The scene is dominated by intense shades of red, orange and yellow, which transform the rural landscape into a vibrant vision full of energy. The brushstrokes are dynamic and textured, and the strong chromatic contrasts express all the emotional power typical of Van Gogh in this period.
The work perfectly conveys his passion for nature and human labour, elevating an everyday scene into a powerful pictorial expression. A masterpiece of Post-Impressionism, ideal for those seeking a reproduction with great visual impact, able to convey warmth, movement and emotional intensity.
Flower Beds in Holland by Vincent van Gogh
Title (English): Flower Beds in Holland
Artist: Vincent van Gogh
Style: Post-Impressionism
Genre: Landscape painting
Technique: Oil on canvas
Original dimensions: 48.9 × 66 cm
Date of creation: 1883
Location: National Gallery of Art – View original work
Flower Beds in Holland is a painting from 1883, created during Van Gogh’s Dutch period, a fundamental phase of his training. It depicts vast stretches of flower fields, probably tulips, arranged in orderly rows that extend to the horizon under a wide, luminous sky.
With a palette that is still restrained but already attentive to colour and light, Van Gogh pays tribute to the landscapes of his homeland. The brushstrokes are more controlled than in his mature works, but already show his interest in the rhythm and structure of the landscape, elements that would become central later on.
It’s one of Van Gogh’s earliest explorations of the relationship between nature, colour and space, and anticipates the evolution of his Post-Impressionist style. An ideal work for those seeking a reproduction able to convey serenity, balance and the artist’s deep bond with the natural world.
Two Sunflowers by Vincent van Gogh
Original title: Deux tournesols
Title (English): Two Sunflowers
Artist: Vincent van Gogh
Style: Post-Impressionism
Genre: Floral painting
Technique: Oil on canvas
Original dimensions: 43.2 × 61 cm
Date of creation: 1887
Location: Metropolitan Museum of Art – View original work
Two Sunflowers is a painting created by Vincent van Gogh in 1887, during his stay in Paris, a phase of intense chromatic and stylistic experimentation. The work is part of the famous series dedicated to sunflowers, a subject that symbolises his research on colour, light and emotional expression.
Through energetic brushstrokes and a palette dominated by bright, warm yellows, Van Gogh transforms two simple flowers into a vibrant composition full of vitality. Colour becomes the absolute protagonist, used not only to describe reality, but to convey emotions, movement and visual intensity.
This painting expresses the artist’s strong bond with nature and his ability to communicate states of mind through the painted matter. Two Sunflowers is an ideal work for those who want a reproduction with strong visual impact, able to bring light, energy and Van Gogh’s unmistakable language to any space.
The Prisoners’ Round by Vincent van Gogh
Original title: La Ronde des prisonniers
Title (English): The Prisoners’ Round
Artist: Vincent van Gogh
Style: Post-Impressionism
Technique: Oil on canvas
Original dimensions: 80 × 64 cm
Date of creation: 1890
Location: Pushkin Museum – View original work
The Prisoners’ Round is one of Van Gogh’s darkest and most symbolic paintings, created in 1890 during his stay at the psychiatric hospital in Saint-Rémy-de-Provence. It depicts a group of prisoners forced to walk in a circle inside an enclosed courtyard, watched over by high walls that heighten the sense of oppression and claustrophobia.
Everything revolves around a ceaseless circular movement, which gives the idea of an imprisonment with no way out. The swirling brushstrokes, typical of Van Gogh’s final phase, and the cold, dark tones create a distressing atmosphere, a direct reflection of his torment. The repetitive rhythm of the footsteps becomes a metaphor for inner suffering and the loss of freedom.
It’s not just a prison scene, but a powerful allegory of the human condition and of the artist’s own state of mind. Many scholars read it as an emotional self-portrait, in which Van Gogh identifies with one of the prisoners, trapped in a cycle of pain and isolation.
Today this masterpiece of Post-Impressionism is considered one of Van Gogh’s most profound and introspective works. A reproduction of The Prisoners’ Round is ideal for those seeking an intense work, able to convey strong emotions and to bear witness to the artist’s extraordinary ability to transform suffering into art.
Vase with Daisies and Poppies by Vincent van Gogh
Original title: Vase avec marguerites et coquelicots Title (English): Vase with Daisies and Poppies Artist: Vincent van Gogh Style: Post-Impressionism Genre: Floral painting Technique: Oil on canvas Original dimensions: 80 × 67 cm Date of creation: 1887
Vase with Daisies and Poppies is one of Van Gogh’s most intense and poetic floral paintings, created in 1887 during his Parisian period. It depicts a vase filled with simple yet energetic flowers: bright white daisies and vibrant red poppies, arranged in a spontaneous and natural way.
With decisive, textured brushstrokes, Van Gogh creates a strong contrast between the bright colours of the flowers and the darker background, giving depth and movement. The composition conveys vitality and immediacy, transforming a still life into an intense expression of emotion and colour.
The painting perfectly conveys Van Gogh’s love for nature and his ability to capture the fleeting beauty of everyday life. An ideal reproduction for those who want to bring light, harmony and emotional power into the home, with one of the most authentic aspects of Post-Impressionist painting.
Sorrowing Old Man by Vincent van Gogh
Original title: Vieil homme souffrant
Title (English): Sorrowing Old Man
Artist: Vincent van Gogh
Style: Post-Impressionism
Technique: Oil on canvas
Original dimensions: 81.8 × 65.5 cm
Date of creation: 1890
Location: Kröller-Müller Museum, Otterlo – View original work
Sorrowing Old Man is one of Van Gogh’s most intense and dramatic works, created in 1890 in Auvers-sur-Oise, in the artist’s final months of life. It depicts an elderly man sitting, bent over himself, with his face hidden in his hands in a gesture of deep despair: a universal symbol of human suffering.
With nervous brushstrokes and colours charged with tension, Van Gogh conveys anguish, loneliness and helplessness. The closed, contracted posture heightens the sense of inner suffering, while the painted matter becomes a direct vehicle of emotion, without filters or idealisation.
The work is often read as a projection of the artist’s own state of mind, and is one of the most moving paintings of his final period. It represents the fragility of human existence and Van Gogh’s ability to transform pain into a universal artistic language. Ideal for those who love expressive and profound art, it’s a reproduction able to convey emotional intensity, introspection and a powerful symbolic charge.
Chairs by Vincent van Gogh
Original title: La Chaise de Vincent avec sa pipe
Title (English): Chairs
Artist: Vincent van Gogh
Style: Post-Impressionism
Technique: Oil on canvas
Original dimensions: 91.8 × 73 cm
Date of creation: 1888
Location: National Gallery, London – View original work
Van Gogh’s Chairs are in fact two famous paintings created in 1888 in Arles: Vincent’s Chair and Gauguin’s Chair. In both, the artist depicts empty chairs, transforming an everyday object into a powerful symbol of identity, loneliness and human confrontation.
Vincent’s chair is simple, rustic, lit by light colours: the pipe resting on it suggests the artist’s intimacy and frankness, a modest yet authentic life. Gauguin’s, on the other hand, is darker and more elegant, with a lit lamp and books, alluding to the intellectual complexity and introspective character of the French painter.
With these two chairs, Van Gogh tells of the complex and often conflicting relationship with Gauguin, using the absence of human figures to amplify the sense of distance and isolation. The chairs become true symbolic portraits, able to express opposing personalities and visions of art.
It’s a work of great conceptual power, ideal for those who love symbolic and narrative art. A reproduction brings home not only a Post-Impressionist masterpiece, but also a deep story made of friendship, loneliness and introspection, told with Van Gogh’s essential and powerful language.
Still Life with Cabbage and Clogs by Vincent van Gogh
Original title: Nature morte au chou et aux sabots
Title (English): Still Life with Cabbage and Clogs
Artist: Vincent van Gogh
Style: Post-Impressionism
Genre: Still life
Technique: Oil on canvas
Original dimensions: 34.5 × 55 cm
Date of creation: 1881
Location: Van Gogh Museum
Still Life with Cabbage and Clogs is a work from 1881, belonging to Van Gogh’s early artistic period in the Netherlands. The painting depicts, in a direct and sincere way, objects from peasant life: a cabbage, wooden clogs and simple utensils, symbols of labour, toil and humility.
The composition is sober and essential, dominated by earthy, dark tones, typical of his beginnings. The brushstrokes are dense and textured, the light controlled, studied to bring out the volumes of the objects. Van Gogh does not seek decorative beauty, but the truth of rural reality, with respect and dignity towards the subjects he paints.
The work reveals the influence of 17th-century Dutch painting and anticipates Van Gogh’s interest in matter, structure and the symbolic meaning of objects. Although far from the bright colours of his later works, it’s fundamental for understanding the evolution of his language. Ideal for those who love the most authentic and introspective Van Gogh: an intense testimony to his bond with peasant life and to the deep roots of his creative journey.
Wheatfield with a Reaper by Vincent van Gogh
Original title: Champ de blé avec moissonneuse
Title (English): Wheatfield with a Reaper
Artist: Vincent van Gogh
Style: Post-Impressionism
Technique: Oil on canvas
Original dimensions: 98.4 × 118.1 cm
Date of creation: 1889
Location: Toledo Museum of Art
Wheatfield with a Reaper is one of the most powerful and symbolic paintings of Van Gogh’s final creative phase, created in 1889 during his stay at the hospital in Saint-Rémy-de-Provence. It depicts a reaper at work in a vast golden wheat field, under an intense, vibrant blue sky.
The scene is built with energetic, swirling brushstrokes that convey continuous movement and tension. Colour is the protagonist: the bright yellow of the wheat, the blue of the sky and the intense greens of the vegetation create a strong contrast, typical of Van Gogh’s Post-Impressionist language.
For the artist, the reaper is not just an agricultural worker, but a profound symbol of the cycle of life and death. The repetitive gesture of reaping becomes a metaphor for the passing of time, for the end and for rebirth, central themes in his final years.
The work combines visual power and existential meaning, and is an ideal choice for those seeking an intense reproduction, able to convey energy, drama and emotional depth. A painting that tells, through nature, of Van Gogh’s restless and brilliant soul.
Vase with Three Sunflowers by Vincent van Gogh
Title (English): Vase with Three Sunflowers
Artist: Vincent van Gogh
Style: Post-Impressionism
Subject: Sunflowers
Genre: Floral painting
Technique: Oil on canvas
Original dimensions: 73 × 58 cm
Date of creation: 1888
Vase with Three Sunflowers is a painting from 1888, created in Arles during one of the most intense and productive periods of Van Gogh’s career. It’s part of the famous series dedicated to sunflowers, the symbol-subject of his research on colour, light and emotional expression.
The work depicts three sunflowers arranged in a simple vase, rendered with dense, energetic brushstrokes and a palette of warm tones, between yellows and ochres. The intense light enhances the painted matter and creates a strong contrast with the background, giving life to a vibrant composition full of vitality.
Here the sunflowers are a symbol of life, energy and harmony with nature. Colour becomes an emotional language, able to convey warmth, optimism and inner strength, central elements in Van Gogh’s vision. An ideal choice for those seeking a luminous and iconic reproduction, perfect for enhancing modern or classic spaces with a work that embodies the essence of Post-Impressionism.
Vase with Roses by Vincent van Gogh
Title: Vase with Roses
Artist: Vincent van Gogh
Style: Post-Impressionism
Technique: Oil on canvas
Original dimensions: 71 × 90 cm
Date of creation: 1890
Location: National Gallery of Art – View original work
Vase with Roses is a painting from 1890, created in the final months of Van Gogh’s life, during his last stay at the hospital in Saint-Rémy-de-Provence. It depicts a delicate bouquet of white and pink roses, arranged in a simple green vase, rendered with soft, luminous brushstrokes.
Unlike many of his earlier works, made of emotional tension and turbulent colours, this painting communicates calm, balance and introspection. The light palette, dominated by greens and whites, creates an intimate and soothing at
The Mulberry Tree by Vincent van Gogh
Original title: Le Mûrier
Title (English): The Mulberry Tree
Artist: Vincent van Gogh
Style: Post-Impressionism
Technique: Oil on canvas
Original dimensions: 54 × 65 cm
Date of creation: 1889
Location: Norton Simon Museum – View original work
The Mulberry Tree is a painting from 1889, created during Van Gogh’s stay at the psychiatric hospital in Saint-Rémy-de-Provence, one of the most intense and productive periods of his career. It depicts a mulberry tree in full vitality, set in a landscape crossed by light and movement.
The golden leaves, painted with thick, dynamic brushstrokes, stand out against an intense blue sky, in a strong chromatic contrast typical of the Post-Impressionist style. The swirling lines and the vibrant painted matter give the tree an almost animated presence, as if it were coursing with inner energy.
Here nature becomes a direct expression of the artist’s state of mind: a balance between tension and vitality, restlessness and creative force. Van Gogh transforms a simple subject into an image charged with intensity, showing how a landscape can become a me
The Potato Eaters by Vincent van Gogh
Original title: De aardappeleters
Title (English): The Potato Eaters
Artist: Vincent van Gogh
Style: Post-Impressionism
Technique: Oil on canvas
Original dimensions: 82 × 114 cm
Date of creation: 1885
Location: Van Gogh Museum – View original work
The Potato Eaters is one of the most intense paintings of Van Gogh’s Dutch period, created in 1885. It depicts a family of peasants gathered around a table, eating a simple meal of potatoes, lit by the dim light of an oil lamp.
The dark, earthy tones, combined with dense, textured brushstrokes, give the painting a strong realism and an intimate, austere atmosphere. Van Gogh deliberately chooses muted colours and weathered faces to emphasise the toil, the poverty and the dignity of peasant labour, with deep respect for rural life.
With this work the artist wanted to represent people who had “honestly worked the land with their own hands”, creating a direct link between food, toil and the earth. It’s not just a domestic scene, but a powerful social and emotional statement.
An ideal reproduction for those seeking an authentic and intense work, able to convey values such as sacrifice, humanity and everyday truth. A fundamental painting for understanding Van Gogh’s artistic evolution and the deep roots of his expressive language.
Self-Portrait (1889) by Vincent van Gogh
Title: Self-Portrait
Artist: Vincent van Gogh
Style: Post-Impressionism
Technique: Oil on canvas
Original dimensions: 65 × 54 cm
Date of creation: 1889
Location: Musée d’Orsay, Paris – View original work
Painted in 1889 during Van Gogh’s stay at the psychiatric hospital in Saint-Rémy-de-Provence, the Self-Portrait is one of the artist’s most famous and psychologically intense works. Here Van Gogh portrays himself with a direct, restless gaze, which conveys all the fragility and tension of his inner state.
The swirling brushstrokes, typical of his mature style, wrap the face and the background in a continuous movement, creating a strong sensation of instability and introspection. The palette of greens, blues and warm touches makes the face vibrant and expressive, transforming the self-portrait into a true exploration of the soul.
It’s not just a physical depiction of the artist, but a visual testimony of his psychological condition, where painting and identity blend together. Van Gogh uses his own face to explore deep emotions, anticipating sensibilities that would influence the Expressionism of the twentieth century.
The 1889 Self-Portrait is fundamental for understanding Van Gogh’s artistic maturity and his unique way of transforming inner pain into a pictorial language. Ideal for those seeking an intense and meaningful reproduction, able to add emotional depth and cultural value to any space.
Self-Portrait with Bandaged Ear by Vincent van Gogh
Title: Self-Portrait with Bandaged Ear
Artist: Vincent van Gogh
Style: Post-Impressionism
Technique: Oil on canvas
Original dimensions: 60 × 49 cm
Date of creation: 1889
Location: Courtauld Gallery, London – View original work
Self-Portrait with Bandaged Ear is one of Van Gogh’s most dramatic and iconic works, created in 1889 shortly after the famous episode of the mutilation of his left ear. The artist portrays himself with a sombre, introspective expression, wrapped in a heavy coat and with a prominent bandage, an evident symbol of his physical and mental fragility.
The composition is essential but extremely powerful. The cold colours, dominated by greens and blues, amplify the sense of isolation, while the decisive, nervous brushstrokes capture all the tension of the moment. In the background appears a Japanese print, a reference to the Oriental art so loved by Van Gogh, which introduces a visual and cultural contrast with the suffering of the subject.
This self-portrait is not just a biographical testimony, but a profound reflection on identity, pain and resilience. Van Gogh uses his own face as a means of expression to tell of a personal crisis, transforming it into a work of extraordinary intensity.
Today it’s considered one of the greatest examples of Van Gogh’s psychological painting. A reproduction is ideal for those seeking a painting charged with meaning, able to communicate authentic emotions and to enrich a space with a strong historical and cultural presence.
Japonaiserie: Oiran by Vincent van Gogh (1887)
Original title: Japonaiserie: Oiran
Title (English): Japonaiserie: Oiran
Artist: Vincent van Gogh
Style: Post-Impressionism
Technique: Oil on canvas
Original dimensions: 105.5 × 60.5 cm
Date of creation: 1887
Location: Van Gogh Museum, Amsterdam
Japonaiserie: Oiran is one of the most significant paintings of Van Gogh’s Parisian period and bears direct witness to his deep fascination with Japanese ukiyo-e art. Created in 1887, the work is inspired by a print by the Japanese artist Keisai Eisen, depicting an oiran, an elegant courtesan of the Edo period.
Van Gogh does not merely copy the original subject, but reinterprets it with expressive power, using intense colours, bold outlines and thick brushstrokes, typical of his style. The elaborate kimono, the decorative floral motifs and the two-dimensional composition reflect the Oriental influence, while the chromatic and textural rendering fully reveals the hand of the Dutch artist.
This painting represents a meeting point between Japanese culture and Western painting, anticipating some of the stylistic solutions that Van Gogh would develop in the following years. The central figure, elegant and monumental, emerges powerfully from the decorative background, creating a balance between Oriental linearity and Post-Impressionist energy.
Japonaiserie: Oiran is today considered a key work for understanding Van Gogh’s artistic evolution and the fundamental role of Japonism in the birth of modern art. A reproduction of this painting is ideal for those who love cultural blends and want a refined work, rich in colour, symbolism and historical value.
Vase with Irises by Vincent van Gogh
Title (English): Vase with Irises
Artist: Vincent van Gogh
Style: Post-Impressionism
Technique: Oil on canvas
Original dimensions: 92 × 73.5 cm
Date of creation: 1889
Location: Van Gogh Museum, Amsterdam
Vase with Irises is a painting from 1889, created during one of the most intense and productive periods of Van Gogh’s artistic life. It depicts a bouquet of irises in deep blue tones, arranged in a yellow vase that creates a strong chromatic contrast, a distinctive element of his Post-Impressionist style.
The energetic, textured brushstrokes give movement to the flowers, transforming a simple still life into a vibrant composition full of expressiveness. The dialogue between the blue of the irises and the warm yellow of the vase speaks of Van Gogh’s continuous research into the balance between colour, emotion and form.
The painting expresses a harmonious fusion of vitality and calm, showing the artist’s more contemplative side without losing visual intensity. A perfect work for those who love Van Gogh’s floral painting and want a reproduction able to light up spaces with colour, elegance and emotional power.
Olive Trees with the Alpilles in the Background by Vincent van Gogh
Original title: Olive Trees with the Alpilles in the Background
Title (Italian): Ulivi con le Alpilles sullo sfondo
Artist: Vincent van Gogh
Style: Post-Impressionism
Technique: Oil on canvas
Original dimensions: 73 × 92 cm
Date of creation: 1889
Location: The Museum of Modern Art (MoMA), New York
Olive Trees with the Alpilles in the Background is one of the most intense landscapes created by Van Gogh in 1889, during his stay in Saint-Rémy-de-Provence. It belongs to the famous olive trees series, in which the artist explores the deep relationship between nature, movement and emotion.
The twisted olive trees, painted with swirling, rhythmic brushstrokes, seem to come alive under the action of the wind, while in the background the Alpilles mountains stand out with their wavy, powerful forms. The restless sky and the bright colours – greens, blues and ochres – amplify the sense of dynamism, transforming the landscape into an emotional rather than realistic vision.
Here Van Gogh does not merely depict nature, but interprets it as a mirror of his inner state. The dense painted matter and the rhythm of the brushstrokes give the work a strong expressive charge, making it one of the finest examples of his artistic maturity.
An ideal work for those who love Post-Impressionist landscapes and want a reproduction able to convey energy, depth and movement. A masterpiece that embodies all the emotional power and unique vision of Van Gogh.
Houses with Thatched Roofs, Cordeville by Vincent van Gogh
Original title: Chaumes de Cordeville à Auvers-sur-Oise
Title (English): Houses with Thatched Roofs, Cordeville
Artist: Vincent van Gogh
Style: Post-Impressionism
Technique: Oil on canvas
Original dimensions: 73 × 92 cm
Date of creation: 1890
Location: Musée d’Orsay, Paris
Houses with Thatched Roofs, Cordeville is a painting from 1890, created in Auvers-sur-Oise during the last and extremely intense period of Van Gogh’s artistic life. It depicts a peaceful rural landscape, with simple peasant houses set in the French countryside, a symbol of stability and authentic life.
The energetic, directional brushstrokes animate the green of the meadows and the thatched roofs, while the moving sky creates a dynamic, vibrant composition. Van Gogh uses colour not only to describe the landscape, but to convey emotion, transforming an everyday scene into a vision charged with poetic intensity.
The painting speaks of the artist’s deep bond with nature and the peasant world, a recurring theme in his final works. The simplicity of the subjects combines with a strong expressive power, making the work a perfect example of his stylistic maturity.
Ideal for those who love Post-Impressionist landscapes and want a reproduction able to convey calm, warmth and authenticity. A work that tells of the silent beauty of the countryside and the sensitive soul of its author.
The Sower at Sunset by Vincent van Gogh
Original title: De zaaier
Title (English): The Sower at Sunset
Artist: Vincent van Gogh
Style: Post-Impressionism
Technique: Oil on canvas
Original dimensions: 64.2 × 80.3 cm
Date of creation: 1888
Location: Kröller-Müller Museum, Otterlo
The Sower at Sunset is one of the most symbolic paintings created by Van Gogh in 1888, during his Arles period. It depicts a farmer scattering seeds in the fields at sunset, transforming an everyday gesture into a powerful metaphor for the cycle of life, rebirth and human labour.
The composition is dominated by a strong chromatic contrast: the intense yellow of the wheat field dialogues with the purple and blue tones of the sky, while the sun low on the horizon radiates light and warmth over the entire scene. The decisive, rhythmic brushstrokes give movement and dynamism, making the landscape alive and pulsing.
For Van Gogh, the sower represents the deep connection between man and nature, but also a symbol of hope and continuity. Agricultural labour becomes an act charged with spiritual meaning, in which toil is joined with the promise of new life.
An ideal work for those who love Post-Impressionist art and want an intense reproduction, able to convey energy, spirituality and a deep bond with the land. A timeless masterpiece that embodies the essence of Van Gogh’s poetic vision.
The Sower by Vincent van Gogh
Original title: The Sower
Title (Italian): Il seminatore
Artist: Vincent van Gogh
Style: Post-Impressionism
Technique: Oil on canvas
Original dimensions: 32.5 × 40.3 cm
Date of creation: 1888
Location: Van Gogh Museum
The Sower is one of the most recurring and symbolic subjects in Van Gogh’s work. Created in 1888, it depicts a farmer scattering seeds in the earth under a golden sky, dominated by a bright sun that radiates energy over the entire landscape.
The scene is built with intense, rhythmic brushstrokes, in a strong chromatic contrast between the warm yellow of the sunset and the blue and purple tones of the ground. The movement of the sower and the vibration of the colour transform an everyday gesture into a vision charged with expressive power.
Van Gogh openly draws inspiration from Jean-François Millet, but reworks the theme in a deeply personal way. The sower becomes a universal symbol of hope, renewal and the continuity of life, where human labour blends with the rhythms of nature.
An ideal work for those who want a reproduction with strong symbolic value, able to convey energy, spirituality and the profound message of the cycle of life. An essential painting for understanding the artist’s poetics and his visceral bond with the land.
First Steps, after Millet by Vincent van Gogh
Title: First Steps, after Millet
Artist: Vincent van Gogh
Style: Post-Impressionism
Technique: Oil on canvas
Original dimensions: 72.4 × 91.1 cm
Date of creation: 1890
Location: Metropolitan Museum of Art
First Steps, after Millet is a painting from 1890, inspired by an engraving by Jean-François Millet, an artist deeply admired by Van Gogh. The work depicts a family scene full of tenderness: a father bends down with open arms to welcome his child taking their first steps, while the mother supports them with a protective gesture.
The composition conveys intimacy, warmth and hope, central themes in Van Gogh’s poetics in the final months of his life. The energetic brushstrokes and luminous colours give vitality to the scene, transforming an everyday moment into a powerful representation of growth and family bonds.
With this work, Van Gogh reworks Millet’s realistic language in a Post-Impressionist key, enriching it with emotion and movement. The child’s gesture becomes a symbol of rebirth and the continuity of life, in contrast with the artist’s fragile emotional state.
An ideal choice for those who want a reproduction with strong symbolic value, able to convey gentleness, humanity and a universal message of hope. A painting that combines emotional sensitivity and artistic depth, perfectly in line with Van Gogh’s legacy.
Bridges across the Seine at Asnières by Vincent van Gogh
Original title: Les Ponts d’Asnières
Title (English): Bridges across the Seine at Asnières
Artist: Vincent van Gogh
Style: Post-Impressionism
Technique: Oil on canvas
Original dimensions: 52 × 65 cm
Date of creation: 1887
Location: Foundation E. G. Bührle Collection
Bridges across the Seine at Asnières is a painting from 1887, created during Van Gogh’s Parisian period, a crucial time for the evolution of his language. It depicts the bridges crossing the Seine in the Asnières area, then an industrial, working-class suburb, immersed in clear, vibrant light.
The painting clearly shows the influence of Impressionism, especially in the luminous colours, the rapid brushstrokes and the atmospheric rendering of the water and sky. The scene conveys calm and modernity, where architecture and the river landscape coexist in harmony.
In this period Van Gogh experiments with a lighter, brighter palette, gradually abandoning the dark tones of his Dutch beginnings. The brushstrokes become freer and more fragmented, anticipating the personal, recognisable style of his most famous works.
An ideal work for those who love urban and river landscapes and want a reproduction that combines Impressionist sensitivity with Post-I
Fishing Boats on the Beach at Les Saintes-Maries by Vincent van Gogh
Title (English): Fishing Boats on the Beach at Les Saintes-Maries
Artist: Vincent van Gogh
Style: Post-Impressionism
Technique: Oil on canvas
Original dimensions: 65 × 81.5 cm
Date of creation: 1888
Location: Van Gogh Museum
Fishing Boats on the Beach at Les Saintes-Maries is a painting from 1888, created during Van Gogh’s stay in the coastal village of Les Saintes-Maries-de-la-Mer, in the south of France. It depicts several fishing boats resting on the beach, painted with intense, contrasting colours that immediately catch the eye.
The composition is made of decisive, dynamic brushstrokes that convey the movement of the wind and the strength of the Mediterranean light. The boats, in bright tones of blue, red and yellow, emerge energetically from the sandy landscape, creating a strong visual impact and a sense of vitality.
In this period Van Gogh is fascinated by the sea and the life of fishermen, themes that allow him to experiment with a luminous palette and an increasingly free style of painting. The sea and the sky become vibrant surfaces, animated by colour rather than by realistic detail.
An ideal work for those who love seascapes and want a reproduction able to convey energy, light and the authentic charm of the Mediterranean. A painting that perfectly represents the most sunlit and chromatically intense phase of Van Gogh’s art.
Pollard Willows with Setting Sun by Vincent van Gogh
Original title: Pollard Willows with Setting Sun Title (Italian): Salici Pollard con il sole al tramonto Artist: Vincent van Gogh Style: Post-Impressionism Technique: Oil on canvas Date of creation: 1888 Location: Kröller-Müller Museum
Pollard Willows with Setting Sun is a painting from 1888, created during Van Gogh’s stay in Arles, one of the most fertile and intense periods of his output. It depicts a row of pollarded willows bathed in the warm light of sunset, transforming a rural landscape into a scene charged with emotion and movement.
The energetic, wavy brushstrokes bring the trees and the ground to life, while the fiery sky, dominated by deep yellows and oranges, creates a strong contrast with the dark greens of the vegetation. The light of the setting sun amplifies the sense of melancholy and contemplation, recurring themes in Van Gogh’s painting.
Here nature is not a simple realistic depiction, but a mirror of the artist’s state of mind, who uses colour as an emotional language. The willows, bent and shaped by time, take on a symbolic value, evoking the cycle of life and the passing of the seasons.
An ideal choice for those who love Van Gogh’s landscapes and want a reproduction able to convey emotional depth, light and introspection. A work that combines expressive power and poetry, perfect for enriching any space with the timeless charm of Post-Impressionism.
Canal with Women Washing by Vincent van Gogh
Title (English): Canal with Women Washing
Artist: Vincent van Gogh
Style: Post-Impressionism
Technique: Oil on canvas
Original dimensions: 74 × 60 cm
Date of creation: 1888
Location: Private collection
Canal with Women Washing is a painting from 1888, created during Van Gogh’s stay in the south of France, a period in which he focuses on everyday life and the relationship between man and nature. It depicts several women bent along a canal, busy washing clothes, immersed in a simple, silent landscape.
The scene is built with energetic but controlled brushstrokes, which give rhythm to the water and the vegetation. The colours are luminous and harmonious – greens, blues and warm tones – and create an atmosphere of balance and naturalness. Van Gogh transforms a humble, repetitive gesture into an image charged with poetry and dignity.
His interest in rural life and everyday labour emerges here, themes that run through much of his output. The female figures, integrated into the landscape, are not isolated protagonists but part of a harmonious whole, where man and nature coexist without conflict.
An ideal work for those who love Van Gogh’s lesser-known but deeply authentic paintings, able to convey calm, simplicity and a strong human sensitivity. A perfect reproduction for spaces seeking visual and emotional balance.
The Man is at Sea (after Demont-Breton) by Vincent van Gogh
Original title: The Man is at Sea (after Demont-Breton)
Title (Italian): L’uomo è in mare (dopo Demont-Breton)
Artist: Vincent van Gogh
Style: Post-Impressionism
Technique: Oil on canvas
Original dimensions: 66 × 51 cm
Date of creation: 1889
Location: Private collection
The Man is at Sea is a painting from 1889, inspired by a work by the French artist Virginie Demont-Breton. The scene depicts a mother with her child, gathered in a moment of silent waiting while the man of the house is at sea, probably engaged in the work of a fisherman.
Van Gogh reworks the original subject with his unmistakable style, using vigorous brushstrokes and intense colours to amplify the emotional dimension of the scene. The atmosphere is charged with melancholy, but also with hope: the woman’s gaze, turned towards the horizon, becomes a symbol of waiting and of human resilience.
Van Gogh’s interest in social and family themes emerges here, already present in other paintings dedicated to
Portrait of Doctor Gachet by Vincent van Gogh
Original title: Portrait of Doctor Gachet
Title (Italian): Ritratto del dottor Gachet
Artist: Vincent van Gogh
Style: Post-Impressionism
Technique: Oil on canvas
Original dimensions: 67 × 56 cm
Date of creation: 1890
Location: Private collection
The Portrait of Doctor Gachet is one of Van Gogh’s most famous and intense paintings, created in 1890 in Auvers-sur-Oise, in the artist’s final months of life. It depicts the physician Paul Gachet, who cared for Van Gogh during his delicate final period, establishing a deep human and intellectual relationship with him.
The doctor is portrayed in a pensive pose, with his head resting on his hand and a melancholic gaze that communicates fragility and introspection. Van Gogh uses vibrant brushstrokes and strongly expressive colours, especially blue and green, to heighten the sense of unease and the empathy between artist and subject.
This portrait goes beyond mere physical likeness: it becomes a mirror of Van Gogh’s state of mind, who projects his own inner pain onto the doctor’s face. The wavy line, the dense painted matter and the bright colours make it one of the greatest examples of the Post-
Road with Cypress and Star by Vincent van Gogh
Original title: Road with Cypress and Star
Title (Italian): Strada con cipresso e stella
Artist: Vincent van Gogh
Style: Post-Impressionism
Technique: Oil on canvas
Original dimensions: 92 × 73 cm
Date of creation: 1890
Location: Kröller-Müller Museum
Road with Cypress and Star is one of the most intense and symbolic paintings of Van Gogh’s final artistic phase, created in 1890 during his stay in Saint-Rémy-de-Provence. It depicts a winding road crossing the night landscape, dominated by the imposing presence of a cypress that rises towards the sky, under a bright star.
The cypress, a recurring element in Van Gogh’s paintings, has a strong symbolic value here: it connects the earth to the sky, life to the spiritual dimension, becoming a bridge between the real world and the artist’s inner one. The turbulent sky, built with swirling brushstrokes and intense colours, conveys a sense of continuous movement and emotional tension.
With dynamic lines and decisive chromatic contrasts, Van Gogh transforms the landscape into an emotional representation of his own state of mind. The road, apparently simple, becomes a metaphor for the human journey, while the star lights up the scene as a symbol of hope and spiritual search.
It’s considered one of the most evocative works of Post-Impressionism and a perfect example of Van Gogh’s ability to combine nature, emotion and symbolism. An ideal choice for those who want an intense reproduction, a
Cypresses by Vincent van Gogh
Original title: Cypresses Title (Italian): Cipressi Artist: Vincent van Gogh Style: Post-Impressionism Technique: Oil on canvas Original dimensions: 93.4 × 74 cm Date of creation: 1889 Location: Metropolitan Museum of Art, New York
Cypresses is one of the most emblematic works of Van Gogh’s Provençal period, created in 1889 during his stay at the hospital in Saint-Rémy-de-Provence. Here the artist depicts the cypresses as powerful, vital forms, animated by thick, sinuous brushstrokes that convey energy and movement.
The cypresses, with their flame-like form, seem to vibrate under a restless sky, built with intense shades of blue and white. Van Gogh transforms the natura
Portrait of Père Tanguy by Vincent van Gogh
Title: Portrait of Père Tanguy
Artist: Vincent van Gogh
Style: Post-Impressionism
Genre: Portrait
Technique: Oil on canvas
Original dimensions: 92 × 75 cm
Date of creation: 1887
Location: Musée Rodin, Paris
The Portrait of Père Tanguy is one of the most significant paintings of Van Gogh’s Parisian period. Created in 1887, it depicts Julien-François Tanguy, a well-known art dealer and great supporter of the Impressionist and Post-Impressionist artists, who concretely helped Van Gogh during his most difficult years.
The subject is portrayed with a calm, benevolent expression, seated frontally, while behind him appears a background rich in Japanese prints. A detail that is no accident: it bears witness to the deep influence of Japanese art on Van Gogh’s painting, evident in the use of flat colour, the sharp lines and the balanced composition.
The palette is luminous and intense, dominated by blues, greens and oranges, applied with thick, vibrant brushstrokes. The contrast between the serenity of the face and the liveliness of the background creates a harmonious balance that makes the portrait particularly powerful on an expressive level.
The work represents a fundamental transitional phase in Van Gogh’s style: here he gradually abandons t
Skull with a Burning Cigarette by Vincent van Gogh
Title: Skull with a Burning Cigarette
Artist: Vincent van Gogh
Style: Post-Impressionism
Technique: Oil on canvas
Original dimensions: 32 × 24.5 cm
Date of creation: 1885–1886
Location: Van Gogh Museum, Amsterdam
Skull with a Burning Cigarette is one of Van Gogh’s most unusual and provocative works, created between 1885 and 1886 during his period of study in Antwerp. It depicts a human skull with a lit cigarette between its teeth, an ironic detail that subverts the classical tradition of “vanitas” still lifes.
The work is often read as a reflection on mortality, but also as an ironic critique of the academic teaching of the time, which favoured the study of skeletal anatomy. The cigarette adds an element of sarcasm, transforming a sombre subject into a scene charged with ambiguity and modernity.
On a technical level, the painting stands out for its marked use of chiaroscuro, with dark, earthy tones that model the skull with great realism. The brushstrokes are decisive and controlled, typical of Van Gogh’s early period, still far from the luminous palette of his later works.
Although small in format, it already reveals the artist’s strong personality and his ability to use painting as a tool for critical reflection. Today it’s considered a precious testimony to the more satirical, experimental and introspective side of Van Gogh, ideal for those who want a reproduction with a deep, unconventional meaning.
Woman at the Café Le Tambourin by Vincent van Gogh
Title: Woman at the Café Le Tambourin
Artist: Vincent van Gogh
Style: Post-Impressionism
Genre: Portrait
Technique: Oil on canvas
Original dimensions: 55.5 × 46.5 cm
Date of creation: 1887
Location: Van Gogh Museum, Amsterdam
Woman at the Café Le Tambourin is a portrait created by Van Gogh in 1887, during his fundamental Parisian period. It depicts Agostina Segatori, a former model and owner of the famous Café Le Tambourin, a gathering place for artists, writers and intellectuals of late 19th-century Paris.
The woman is portrayed seated at a small table, with a confident and relaxed attitude, immersed in a bohemian atmosphere. Van Gogh uses intense colours, decisive contrasts and dynamic brushstrokes to enhance the subject’s personality and the vitality of the setting. The decorative background and the flat surfaces clearly reveal the influence of Japanese art, which deeply fascinated him in those years.
This portrait marks a key moment in Van Gogh’s evolution: the palette becomes more luminous, the composition bolder, the painting more expressive. It’s not just a realistic portrait, but a psychological study that conveys the strong, independent character of the subject.
Today it’s considered a precious testimony to Van Gogh’s Parisian period, in which the artist experiments with new formal and chromatic solutions. An ideal choice for those who want a reproduction that combines portraiture, art history and bohemian atmosphere, perfectly representative of the artistic Paris of the late 19th century.
